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Basil Alsubee
Essays
Films and Photos
Screenings and Events
About Me
Basil Alsubee
Essays
Films and Photos
Screenings and Events
About Me
Essays
Films and Photos
Screenings and Events
About Me
Interview– Hala Alabdallah (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Interview– Hala Alabdallah (Copy)

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Archival Simultaneity: Past and Present in Arthur Jafa’s “Love is the Message, the Message is Death” (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Archival Simultaneity: Past and Present in Arthur Jafa’s “Love is the Message, the Message is Death” (Copy)

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Anticolonial Ideology, Cinema, and Infrastructure in Syria
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Anticolonial Ideology, Cinema, and Infrastructure in Syria

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Against Foreclosure: A Review of Saadallah Wannous’s “An Evening’s Entertainment for 1967”
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Against Foreclosure: A Review of Saadallah Wannous’s “An Evening’s Entertainment for 1967”

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Fanon Between Syria and Argentina: Amiralay, Third Cinema, and the Looming Horizon of the Anticolonial Imperative
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Fanon Between Syria and Argentina: Amiralay, Third Cinema, and the Looming Horizon of the Anticolonial Imperative

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Syrian Visual Media and Filming Against Man: From Authorized Spectator to Coalitional Futurism (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Syrian Visual Media and Filming Against Man: From Authorized Spectator to Coalitional Futurism (Copy)

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On Ethnographic Film as Genre: Is “Representing the Real” a Futile Exercise?
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

On Ethnographic Film as Genre: Is “Representing the Real” a Futile Exercise?

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From the Rebellion to the Naksa: Detroit’s “Third World” Coalition and the Politics of US Minority History-Telling (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

From the Rebellion to the Naksa: Detroit’s “Third World” Coalition and the Politics of US Minority History-Telling (Copy)

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Fitra, “The Human” and the “Non-Human”: From Colonial Humanism, To A Decolonial Islamic Ecology in Southwest Asia (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Fitra, “The Human” and the “Non-Human”: From Colonial Humanism, To A Decolonial Islamic Ecology in Southwest Asia (Copy)

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Refusing to Witness, Insisting on Remembering: The Past and Present Of The Nakba in The Time That Remains (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Refusing to Witness, Insisting on Remembering: The Past and Present Of The Nakba in The Time That Remains (Copy)

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Book Review: Another Road to Damascus: An Integrative Approach to ‘Abd al-Qadir al-Jaza’iri (1808-1883). (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Book Review: Another Road to Damascus: An Integrative Approach to ‘Abd al-Qadir al-Jaza’iri (1808-1883). (Copy)

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The Critique of Ghuluwwat al-Tasawwuf: From Medieval Reform to the “Other” of Islamic Modernity
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

The Critique of Ghuluwwat al-Tasawwuf: From Medieval Reform to the “Other” of Islamic Modernity

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Women of Color Feminisms: A Basil Alsubee Zine
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Women of Color Feminisms: A Basil Alsubee Zine

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Colonial Latin America Final Essays: An Unequal Mixture; and the Incomplete Conquest (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Colonial Latin America Final Essays: An Unequal Mixture; and the Incomplete Conquest (Copy)

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Editorial Paper: ISIS and the Essentially Islamic (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Editorial Paper: ISIS and the Essentially Islamic (Copy)

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Post-New Wave History
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Post-New Wave History

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The Night of the Living Dead: A Zombie Horror Lesson Plan
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

The Night of the Living Dead: A Zombie Horror Lesson Plan

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‘Battle of Algiers’: Liberation, or Counter-Revolution?
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

‘Battle of Algiers’: Liberation, or Counter-Revolution?

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Folkloric Terror: The Pre-Modern in British and Egyptian Horror Cinema (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Folkloric Terror: The Pre-Modern in British and Egyptian Horror Cinema (Copy)

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Between Premodern Terror and Western Excess: Egyptian National Anxiety and 1980s Popular Horror (Copy)
Basil Alsubee 6/3/24 Basil Alsubee 6/3/24

Between Premodern Terror and Western Excess: Egyptian National Anxiety and 1980s Popular Horror (Copy)

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